32 S
| 32_S | |
|---|---|
| |
| Production | Privateer 2: The Darkening |
| Type | Main Plot |
| Series | Mission G: Jan Mitorr |
| Disc | CD2 |
| Run Time | 2m53s |
| Previous | MITOR_S |
| Scenes | 152-163 |
| Locations | Jan Mitorr's House |
32_S is a main plot cutscene from Privateer 2: The Darkening. It is part of Mission G: Jan Mitorr. It plays when the player visits Jan Mitorr's House on Janus IV after completing Mission F: Shernikov. This completes the mission.
- Download: 32_S.mp4
Transcript
JAN MITORR: Yes?
LEV ARRIS: Yeah, I'd like to speak to a Ser Jan Mitorr, please.
JAN MITORR: No. Go away. Holy Gods, you! Get out!
LEV ARRIS: Ser Mitorr, I'm here about a pod.
JAN MITORR: But another age, another time and place. Begone, I beseech you, begone.
LEV ARRIS: The pod, you mad old bastard, the one that went down in the Canera
JAN MITORR: Canera? You mean Malakai didn't... what do you want with us now?
LEV ARRIS: I want to know where that pod was before it was put onboard the Canera when I was put in it.
JAN MITORR: Why are you asking me these things? I'm not supposed to know them, I'm supposed to have forgotten them.
LEV ARRIS: Well remember those things.
JAN MITORR: No! Kappa Labs, Kappa, Kappa damn you. Now go, leave us alone.
LEV ARRIS: Give me the coordinates.
JAN MITORR: But you know! It's out in the Scatterbelt. Listen, it was all so long ago. But it was allright, the pod worked. Just... just tell me what you want.
LEV ARRIS: Who put me in the pod?
JAN MITORR: Go to Kappa Labs, you'll see. If I open my mouth you know what they'll do. You know better than most and... my heart, and my heart, I can't breathe. I'm dying. Your father he would... he said...
LEV ARRIS: My father? What about my father? What about my father? Shit.
Characters
Speaking
Vehicles
Translations
Privateer 2: The Darkening's cutscenes were dubbed for the French, German and Spanish releases.
French
- Download: 32_S.mp4
German
- Download: 32_S.mp4
Spanish
- Download: 32_S.mp4
25th Anniversary
On May 20, 2020, Privateer 2: The Darkening director Steve Hilliker released The Darkening 25th Anniversary Restoration which featured footage restored from Betacam tapes. The footage has been edited down into a cinema cut but where available it is of much higher quality than the game's files.
Betacam
A pair of Betacam SP tapes recovered from Digital Anvil have provided high quality versions of much of Privateer 2: The Darkening's Main Plot. These cuts are not final and digital effects are missing.
- Download: 32_S-Priv2-betacam-roughcut.mp4
Origin Museum VHS
A VHS tape digitized by Joe Garrity of the Origin Museum included versions of edits 7 through 74.
- Download: 32_S-P2_OM_Tape.mp4
Bad Influence
The Bad Influence The Darkening featurette includes behind-the-scenes footage from this scene.
Unreleased Trailer
The Privateer 2 The Darkening Movie Promo Trailer posted to YouTube by DigitalVaultThe includes a clip from this scene.
- Download: Privateer_2_Trailer.mp4
Storyboards
A collection of Privateer 2 Storyboards has been provided by Joe Garrity of the Origin Museum. They cover the Main Plot cutscenes.
Script
A The Darkening Script Draft 7 used during the game's shooting has been provided by Erin Roberts.
SC.152 ON THE DOOR
There's an annunciator plate there. Arris touches it.
- MITORR'S VOICE (VO)
- Yes?
- ARRIS
- I'd like to see Ser Jan Mitorr,
- please.
A long silence.
- MITORR'S VOICE (VO)
- No. Go away.
SC.153 ON ARRISHe looks at the annunciator for a moment, annoyed. Starts to
turn and walk away -- then turns again and BLASTS the door
in. It slams open: he goes in.
SC.154 INT. MITORR'S HOUSETasteful and posh in a futuristic way. Standing there,
staring at Arris, is JAN MITORR. He is a little, frail old
man who looks like he's seeing someone he really did NOT
expect to see. He backs away.
- MITORR
- Oh, holy gods! You -- Get out!
SC.155 WIDE -- THE TWO OF THEMArris is confused by this look of terror, but still angry.
- ARRIS
- Ser Mitorr -- my name is Lev
- Arris. I'm here about a pod.
- MITORR
- But...another age! Another time and place
- altogether! Begone! We beseech you, begone!
- ARRIS
- The pod, you mad old bastard.
- The one that went down
- in the Canera.
SC.156 ANOTHER ANGLE -- FAVORING ARRIS
- MITORR
- Canera? You mean, Malakai didn't --
- (pause: frightened)
- What do you want of us now?
- ARRIS
- I want to know where the pod was
- before it was put on board the
- Canera. When I was put in it.
- MITORR
- Why are you asking me these things?
- I'm not supposed to know them! I
- was supposed to have forgotten them!
Arris advances on him. Mitorr starts to back away.
- ARRIS
- Remember those things. Now.
- MITORR
- K-k-kappa Labs. Kappa. Kappa, damn
- you, now go! Leave us alone!
SC.158 NEW ANGLE
- ARRIS
- Give me the coordinates.
- MITORR
- But you know. (gulps as Arris comes
- after him. Increasingly terrified -- )
- It's out in the scatter belt.
- Listen -- It was all so long ago...
- and it was all right, the pod worked!
- Just -- just tell me what you want!
SC.159 CLOSE - ARRIS. MITORRAlmost nose to nose, now.
- ARRIS
- Who put me in that pod?
Mitorr shakes his head, trembling with fear.
- MITORR
- Go to Kappa Labs. You'll see.
- But if I open my mouth -- you
- know what they'll do! You know
- better than most!
SC.160 WIDERMitorr collapses into a chair, as if his legs just won't
support him any more. Arris comes closer, baffled and
angered.
- MITORR (CONT'D)
- Oh. My heart. Can't breath...can't...
He clutches his chest, sags sideways, struggling for breath.
SC.161 CLOSERMitorr's color has gone awful -- a dreadful purplish shade.
He sags further in his chair, as Arris leans in toward him.
- MITORR
- Your father...he would have...he
- said...
- ARRIS
- (suddenly panicking)
- My father? What about my father?
SC.152 ON ARRIS AND MITORRArris grabs the old man by the shoulders, shakes him. It's
too late.
- ARRIS (CONT'D)
- What about my father??
But Mitorr only slumps sideways: the heart attack has killed
him.
SC.163 ON ARRISAs he stands up, looking down at the corpse with an awful
expression of frustration and pity -- then walks OUT OF SHOT
and EXITS.
