Originally posted by Treguard
btw, on his way out, I meant that he's getting old, and has little new material in him (just take the Harry Potter score for instance (shudder)
Sounds like you were spoon-fed (and burped) that particular opinion. You can bitch and moan and whine until the cows come home that Williams's score to Potter ain't great.
You can say it sounds like Hook. Or Home Alone. Or, fuck, that it sounds like Danny Elfman in the early 90s.
Doesn't mean you're right.
I can name several reasons William's score to Harry Potter was actually good.
*It wasn't the London Symphony for once. It was Sinfonia of London, which works out of Air Lyndhurst studios in Lyndhurst, England. This assembly is usually used by David Arnold (Stargate, ID4) and more recently by Goldsmith for The 13th Warrior.
*It has a lot of damned good music that sounds Williams without too much cheese.
*It's not James Horner
*"The Chess Match" is a brilliant body of orchestration that sounds very little like Williams.
*"The Quidditch Match" opens with a gorgeous brass fanfare that most composers couldn't begin to write.
*It doesn't have James Horner's damned metallic drum.
*It's not Hans Zimmer, the most overrated composer in the entire industry.
*It's Williams. I bet you a thousand dollars you can't write one epic that is nearly as good as the stuff he did between 1967 and 1989.
So there.