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The idea was to get some variety by adding a new set of inflight music, and since Standoff is between WC2 and WC3, I thought we should borrow from both... but I don't think its fair to call WC1 or WC2's music ANNOYING... its a little older... they weren't able to do as much with it... they're a...

And we've got jazz.... mmmm... yes... lots of jazz....:p

Does anyone else see a strange similarity between the Nephilim and Species 8472 from Star Trek Voyager (and various games)? Just thought I'd throw that out...

I'm one for chronology, so I would start at the beginning and go all the way to the end, however, if there are games that you haven't played such as Secret Ops or UE and Standoff, I would go to those before replaying anything else.

I believe I said that I'd like to help out, and I still would like to when you have something that's at the point it would need music, but right now with how busy I've become at college I can really only have one focus like this at a time, and right now that focus is Standoff.

I for one would like to continue working on projects, perhaps taking more involvement in other creative aspects, but it's too soon to even think about it. I just want to get Standoff finished, however I personally do have my heart set on a UE2.

WC's music is really one of the greatest in video game and movie sound track history in my opinion. Many games will just throw together some simple 20 second loop and go with it, but with WC you always found music that was extremely thoughtfully constructed, dynamic, stylistic, and really quite...

Yea... I'm music producer, and that was something that wasn't approved by me... I'm a little annoyed at the person who arbitarily did that ruining my soundtrack with filth :p

If I told you, I'd have to kill you... sorry. :p

I resolve myself of any responsibility of what could potentially follow here... didn't get my approval so its not my fault

Ah - that would explain why its not in the MIDI pack. I didn't write the techno-based music. I did all the orchestral stuff (mission music, cutscenes, ect). Daniel Brito is the composer of the techno tracks found in the simulator (we did use the UE theme for one of the sim missions, and a few...

This is awful considering I wrote the majority of music for UE, and was basically in charge of music, but I can't remember. Was Sim1 orchestra, or techno based music?

There will be a lot more original stuff to come, don't worry. And the WC2 Torpedo Lock is already in the game (if we're talking about the same piece). Its the music that plays when there's only an enemy capship at the nav during episodes 1 and 2. And I'm also hoping to keep delay to a...

Yes, we've been working very hard. The music for Episode 3 is more than half complete I'd say, and once I get the materials I need to finish it, it'll be about 1-2 hours of work to finish about 90% of it. The last 10%'ll be a little bit more difficult, but shouldn't cause any delays this time.

Too late.... but its ok, I won't hold it against you :p

I think I have it too, but I'm not sure... :p

Thanks. Yes - I agree, the Kilrathi culture would be more oriented towards horns and brass instruments (hence my use of low brass instruments). A hunting culture - a hunting horn. Percussion too - war drums, and chimes. I used strings as ambience, and distortion guitar to provide a heavy...

Actually, for musicians and artists, macs are the prefered choice and supposedly much better than PCs. I personally use a PC because it what I've always used and what I'm most comfortable with, but most of my mentors and peers use macs.

Yea... I try to forget about that Q... :p

I used some of the ideas I came up with from that post. I thought about kilrathi physiology to think about how they would have to play an instrument, and that helped me determine placement of notes, then I used some very basic acoustical physics to come up with pitches for an atonal synthetic...